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'The combination is simple: a lot of slow motion portraiture combined with a soundtrack of snippets of people's conversation and interview. This straightforward method yields one of the most powerful and compassionate statements on race, on politics, on class, on policing, on drugs, that I've encountered in contemporary American cinema.'

'The combination is simple: a lot of slow motion portraiture combined with a soundtrack of snippets of people's conversation and interview. This straightforward method yields one of the most powerful and compassionate statements on race, on politics, on class, on policing, on drugs, that I've encountered in contemporary American cinema.'

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